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RVA’s International Short Film Contest Awards: “Seed of Hope” Plants Something Stubbornly Hopeful

(The winners of RVA’s International Short Film-Making Competition were announced on 11 January. Out of over 80 entries, 13 films were selected for awards. In this special series, we highlight each winning film, beginning with the 10 films that received special prizes. Each feature includes a review by Joshua D’Souza, SJ, RVA’s freelance film critic. This piece features “Seed of Hope,” one of the films chosen for a special award. It is directed by Ivan Tablan Adlaon, from the Philippines.  - Editor)

There are films you watch… and there are films that watch you back. Seed of Hope is the latter.

In just under five minutes, this quiet yet piercing short film unsettles something within us. Heaven’s nightmares are not merely cinematic devices; they feel like our own. The choking smoke, the polluted waters, the silent accusation of a wounded Earth, these are not fantasies. They are memories. Perhaps even confessions.

In Laudato Si', Pope Francis reminds us that “the earth herself, burdened and laid waste, is among the most abandoned and maltreated of our poor.” Seed of Hope translates that line into flesh and dream. Heaven’s comfort becomes discomfort. Her inherited privilege becomes inherited responsibility. And when she discovers that her grandmother’s company contributed to the destruction, the film dares to whisper a hard truth: our past has its skeletons. May they haunt us, for a good reason.

Benjie, in his quiet fidelity to cleaning what others discard, becomes prophetic. One almost hears Isaiah echoing: “They shall build up the ancient ruins… they shall repair the ruined cities” (Is 61:4). Hope is something extraordinary. It kneels. It picks up trash. It plants trees.

The production by Tawan Film Production is intimate and sincere. Ivan T. Adlaon’s direction avoids melodrama; instead, it trusts the power of small gestures. The cinematography lingers just enough for conscience to awaken. Danice Mañoza (Heaven) carries the tension of guilt and awakening with subtle honesty, while John Caleb Santosidad (Benjie) embodies quiet moral leadership.

This is not merely a student short film. It is a mirror.

What pricks us? What disturbs our sleep? Perhaps the real nightmare would be indifference.

Watch it. Let it unsettle you. And maybe, just maybe, let it plant something stubbornly hopeful in your heart for the generations yet to breathe this air.

 

Radio Veritas Asia (RVA), a media platform of the Catholic Church, aims to share Christ. RVA started in 1969 as a continental Catholic radio station to serve Asian countries in their respective local language, thus earning the tag “the Voice of Asian Christianity.”  Responding to the emerging context, RVA embraced media platforms to connect with the global Asian audience via its 21 language websites and various social media platforms.

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