Joshua D’Souza, SJ

In our own lives, are we playing the part of Victor, creating things, relationships, or even versions of ourselves, only to abandon them when they don’t meet our perfect, prideful expectations?

Set in the winter of 1970, The Holdovers follows three unlikely companions stranded at a quiet New England boarding school during Christmas break: a grumpy history teacher, a sharp-tongued student with nowhere to go, and a grieving cook

I’m Still Here is not simply a film about dictatorship or loss. It is about a strength that cannot be silenced. It is about a woman who shows us that joy can be an act of protest, love a form of resistance, and hope the deepest expression of faith.

F1: The Movie doesn’t break new narrative ground, but it executes a classic story with heart-pounding excellence. It’s a film that understands spectacle but isn’t afraid of quiet, reflective moments.

Some time back, the name John Barnett echoed through the headlines of international media—a former Boeing engineer who spoke up about compromised safety standards. He raised concerns that faulty oxygen systems and missing parts endangered lives. He was mocked, sidelined, and eventually found dead in his car. The truth was quietly buried under rivets and deadlines.

The Great Pilgrimage of Hope, to be held in Penang, Malaysia, from November 27–30, 2025, will gather Catholics across Asia for a journey of faith, dialogue, and renewal.

If God’s call isn’t a shout from a distant mountain, but a whisper in the things you already love and the peace you already bring, are you listening?

In a world dominated by what the article calls the "Four P's": post-truth, polarisation, and populism, the simple, joyful truth-telling of the Superboys is a radical act. It is peace-making, not through passive silence, but through active creation.

Manjummel Boys reminds us: Sometimes the deepest caves of life reveal the brightest truths, that love is the only rope that saves, and Christ still holds it from the other end.

In Mission: Impossible – The Final Reckoning, the impossible feels personal. Ethan Hunt (Tom Cruise) faces his most dangerous adversary yet, a rogue artificial intelligence known as The Entity, a digital god born from human ambition.