The word scrap comes from the Old Norse skrap, something small, leftover, seemingly insignificant. In today’s language, scrap means waste. In Sacred Scrap, scrap becomes sacrament.
Untitled is more like a question quietly placed before the viewer. A question many of us avoid because it unsettles our carefully managed routines: Is my life meant to run on repeat, or am I willing to let God write its script?
Re-Creation is a poignant reminder that healing begins with awareness, responsibility, and love—for even the smallest choice can help make the world a better place again.
Harvest festivals are older than temples and churches. Long before theology was articulated and liturgy formalised, human beings learned to look at the soil, the rain and the grain and to recognise a simple truth: life is received, not manufactured.
Speaking through bare feet, broken roads, and a wounded earth, “U Turn”, stages in just over four minutes what Laudato Si’ dares to hope: that even at the brink, “all is not lost,” because humanity can still choose again.
Left-Handed Girl drifts in with the kind of softness that sneaks up on you. It follows Shu-Fen, a young mother trying to stitch together a new life in Taipei with her two daughters.
In our own lives, are we playing the part of Victor, creating things, relationships, or even versions of ourselves, only to abandon them when they don’t meet our perfect, prideful expectations?
Set in the winter of 1970, The Holdovers follows three unlikely companions stranded at a quiet New England boarding school during Christmas break: a grumpy history teacher, a sharp-tongued student with nowhere to go, and a grieving cook
I’m Still Here is not simply a film about dictatorship or loss. It is about a strength that cannot be silenced. It is about a woman who shows us that joy can be an act of protest, love a form of resistance, and hope the deepest expression of faith.
Human Rights Day must not be reduced to symbolic observance; it must reignite our commitment to ensuring that the promises of the UDHR shape real lives, not remain lofty aspirations.
F1: The Movie doesn’t break new narrative ground, but it executes a classic story with heart-pounding excellence. It’s a film that understands spectacle but isn’t afraid of quiet, reflective moments.
International Volunteer Day, observed every year on December 5, invites us to recognise the countless individuals who give themselves generously for the good of others.
In a world dominated by what the article calls the "Four P's": post-truth, polarisation, and populism, the simple, joyful truth-telling of the Superboys is a radical act. It is peace-making, not through passive silence, but through active creation.
Manjummel Boys reminds us: Sometimes the deepest caves of life reveal the brightest truths, that love is the only rope that saves, and Christ still holds it from the other end.
In Mission: Impossible – The Final Reckoning, the impossible feels personal. Ethan Hunt (Tom Cruise) faces his most dangerous adversary yet, a rogue artificial intelligence known as The Entity, a digital god born from human ambition.
